"Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles" by Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin was released on March 31, 2015. The duration of Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 42 in Buxtehude: Membra Jesu nostri, BuxWV 75 by Dietrich Buxtehude, Walter Testolin, RossoPorpora Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles by Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier Concert: Prélude - Gravement (Couperin) | Le Concert Des Nations, Jordi Savall | F Major | 2 | 7B | 84 BPM | ||
Gaudent in caelis | Asprilio Pacelli, Mark Williams, Eamonn Dougan, The Sixteen | F Major | 2 | 7B | 101 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Byrd: In nomine a 5 IV | William Byrd, Fretwork | C Minor | 1 | 5A | 182 BPM | ||
Trio Sonata in B-Flat Major, BuxWV 255 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Sophie Gent, Mélissande Corriveau | B♭ Major | 1 | 6B | 95 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM |
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