George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket made "Semele / Act 1: Endless pleasure..." available on January 1, 2004. The duration of Semele / Act 1: Endless pleasure... is about 3 minutes long, at 3:14. Based on our data, "Semele / Act 1: Endless pleasure..." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #2. Semele / Act 1: Endless pleasure... is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Semele / Act 1: Endless pleasure... by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 | Johann Sebastian Bach, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 73 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 57 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Renée Fleming, New York Voices, Metropolitan Opera Orchestra, James Levine | B Minor | 3 | 10A | 88 BPM | ||
Suite Les Paladins, RCT 51: 16. Loure | Jean-Philippe Rameau, Orchestra of the Age of Enlightenment, Gustav Leonhardt | B Minor | 0 | 10A | 118 BPM | ||
Hard Times Come Again No More | Renée Fleming, Bill Frisell | C Major | 1 | 8B | 79 BPM | ||
Die junge Nonne, D. 828 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F Major | 1 | 7B | 105 BPM | ||
Rinaldo, HWV 7a: Lascia ch'io pianga | George Frideric Handel, Arion Orchestre Baroque, Daniel Taylor, Stephen Stubbs, Suzie LeBlanc | B Minor | 1 | 10A | 74 BPM | ||
Three Dickinson Songs: 1. As Imperceptibly as Grief | André Previn, Renée Fleming | C Major | 1 | 8B | 75 BPM | ||
Nachtgebet | Joseph Marx, Renée Fleming, Jean-Yves Thibaudet | E♭ Major | 1 | 5B | 78 BPM |
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