"Bist du bei mir, BWV 508" by Johann Sebastian Bach, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment was released on September 2, 2016. The duration of Bist du bei mir, BWV 508 is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Bist du bei mir, BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Aksel! Arias by Bach, Handel & Mozart by Aksel Rykkvin, Orchestra of the Age of Enlightenment, Nigel Short. Bist du bei mir, BWV 508 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bist du bei mir, BWV 508 by Johann Sebastian Bach, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Cantate BWV 85 "Ich Bin Ein Guter Hirt": II. Aria | Johann Sebastian Bach, Christophe Coin, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Gotthold Schwarz, Andreas Scholl | F♯ Minor | 0 | 11A | 81 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Mass in C Major, K. 317 "Coronation": III. Credo | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 83 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Ave Maria, D. 839 | Franz Schubert, Lucia Popp, Munich Radio Orchestra, Kurt Eichhorn | F Minor | 1 | 4A | 87 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Gloria in D Major, RV589: 1. Gloria in excelsis | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 3 | 3B | 126 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM |
Section: 0.6707093715667725
End: 0.6745526790618896