Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne's 'Manuscrit Panmure: Courante in D Minor' came out on January 26, 2024. With Manuscrit Panmure: Courante in D Minor being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Noémie Lenhof's "Marin Marais - Le Manuscrit Retrouvé" album is number 3 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Manuscrit Panmure: Courante in D Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manuscrit Panmure: Courante in D Minor by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Manuscrit Panmure: Allemande in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Minor | 2 | 12A | 141 BPM | ||
Concert Royal No. 2 in D: I. Prélude. Gracieusement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia" | Nicolas Chédeville, Dorothee Oberlinger | B Major | 3 | 1B | 145 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM |
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