Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas made "Te Deum, H. 146: I. Prélude" available on January 5, 2024. With Te Deum, H. 146: I. Prélude being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum, H. 146: I. Prélude is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum, H. 146: I. Prélude by Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": III. Il Sonno. Andante Molto | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM | ||
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM | ||
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi", No. 22, Il ballo delle ingrate, SV 167: Ballo | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | A Minor | 0 | 8A | 95 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM |
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