Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne's 'Manuscrit Panmure: Allemande in D Minor' came out on January 26, 2024. The duration of Manuscrit Panmure: Allemande in D Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Manuscrit Panmure: Allemande in D Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Noémie Lenhof's "Marin Marais - Le Manuscrit Retrouvé" album is number 2 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Manuscrit Panmure: Allemande in D Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manuscrit Panmure: Allemande in D Minor by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert XXVII: Bourrasque | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 1 | 5A | 137 BPM | ||
La Promenade: Prelude | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Baryton Trio in A Major, Hob. XI:71: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre" | Marin Marais, Jordi Savall, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations | E♭ Major | 2 | 5B | 134 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Alcione, Acte II Scène 3: "Qu’entends-je ! Quel funeste oracle!" - Deuxième Air des Magiciens | Marin Marais, Jordi Savall, Lisandro Abadie, Cyril Auvity, Le Concert Des Nations | D♭ Major | 2 | 3B | 105 BPM | ||
Air | Robert de Visée, Simon Linné | F Minor | 1 | 4A | 102 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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