"Concert XXVII: Bourrasque" by Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger was released on April 17, 2020. Concert XXVII: Bourrasque is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Philippe Pierlot, Lucile Boulanger, Myriam Rignol, Rolf Lislevand's "Monsieur de Sainte-Colombe et ses filles" album is number 4 out of 11. Based on our statistics, Concert XXVII: Bourrasque's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert XXVII: Bourrasque by Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1039: III. Adagio e piano | Johann Sebastian Bach, Marc Hantai/Ageet Zweistra/Jerome Hantai/Pierre Hantaï | G Major | 3 | 9B | 92 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Concerts a deux violes esgales, Volume III, Concert L, « Le Brun »: I. (Ouverture) Le Brun | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 93 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM |
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