Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim's 'Violin Sonata in C Major, Wq. 73, H. 504: II. Andante' came out on January 1, 1994. With this song being about 5 minutes long, at 4:54, "Violin Sonata in C Major, Wq. 73, H. 504: II. Andante" by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 18 in Chamber Music (Baroque) - Frederick Iii / Schaffrath, C. / Bach, C.P.E. / Benda, F. / Janitsch, J.G. (Music From Sanssouci) by Berlin Baroque Compagney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Violin Sonata in C Major, Wq. 73, H. 504: II. Andante is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in C Major, Wq. 73, H. 504: II. Andante by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): I. Poco adagio | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Major | 0 | 8B | 84 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM |
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