"[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is about 3 minutes long, at 3:13. Based on our data, "[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 12 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
[Suite en sol majeur]: I. Prélude (No. 74) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Major | 1 | 2B | 78 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Alcione - 2Ème Suite - Airs Pour Les Eoliens Et Les Eoliennes - Sarabandes | Jordi Savall, Marin Marais | G Major | 0 | 9B | 83 BPM | ||
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM |
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