"[Suite en sol majeur]: I. Prélude (No. 74)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. With [Suite en sol majeur]: I. Prélude (No. 74) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 1 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en sol majeur]: I. Prélude (No. 74) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en sol majeur]: I. Prélude (No. 74) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | ||
Refrain 2 | Stephen Stubbs | A Minor | 0 | 8A | 93 BPM | ||
Viola da Gamba Suite in D Minor: II. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | E Major | 0 | 12B | 134 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Pièces de viole, Cinquième livre, Suite No. 6: XVI. Le Rondeau Villeneuve | Marin Marais, La Rêveuse, Benjamin Perrot, Florence Bolton | F♯ Major | 1 | 2B | 114 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Ariane et Bacchus, Act IV: Prélude et récit. Vous, qui fûtes toujours empressés à me plaire | Marin Marais, Matthieu Lécroart, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | E♭ Major | 2 | 5B | 66 BPM |
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