Nicolas Chédeville, Dorothee Oberlinger made "Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia"" available on January 17, 2011. The duration of Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia" is about 3 minutes long, at 3:24. Based on our data, "Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 26 in French Baroque by Dorothee Oberlinger. Based on our statistics, Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia"'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia" by Nicolas Chédeville, Dorothee Oberlinger is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata VI: IV. Allegro ma non presto | Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees | F Minor | 3 | 4A | 103 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 114 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Sonata No. 6 in G Major, Op. 7 No. 6 (Version for Oboe & Continuo): IV. Allegro presto | Nicolas Chédeville, Jacques Vandeville, William Christie, Mariijke Verberne | G Minor | 2 | 6A | 123 BPM |
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