Christian Petzold, Mahan Esfahani's 'Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach)' came out on May 5, 2023. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 40 in Bach: Anna Magdalena Notebooks, 1722 and 1725 by Mahan Esfahani, Johann Sebastian Bach, Carolyn Sampson, Christian Petzold, François Couperin, Carl Philipp Emanuel Bach, Georg Böhm, Gottfried Heinrich Stölzel, Johann Adolf Hasse, Johann Christian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) by Christian Petzold, Mahan Esfahani is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Dowland's Tears (arr. N. North of I Saw My Lady Weep) | Nigel North | F♯ Minor | 0 | 11A | 106 BPM | ||
Sonata in G Minor: III. Adagio | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 1 | 10A | 114 BPM | ||
Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Chamber Sonata No. 3 in D Major: V. Allegro | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM |
Section: 0.5386800765991211
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