Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez's 'Pierrot Lunaire, Op. 21 (1912) / Part 1: I. Mondestrunken' came out on January 1, 1998. With Pierrot Lunaire, Op. 21 (1912) / Part 1: I. Mondestrunken being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Pierrot Lunaire, Op. 21 (1912) / Part 1: I. Mondestrunken's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pierrot Lunaire, Op. 21 (1912) / Part 1: I. Mondestrunken by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 1 | 4A | 84 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
4 Songs Op. 13 For Voice And Orchestra: IV. Ein Winterabend: "Wenn der Schnee ans Fenster fällt" Sehr ruhig | Anton Webern, Françoise Pollet, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 0 | 3B | 115 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - "News Has a Kind of Mystery:" | John Adams, Edo de Waart, Orchestra of St. Luke's | D♭ Major | 2 | 3B | 153 BPM | ||
Verklärte Nacht, Op. 4: Grave (Takt 1) | Arnold Schoenberg, Orpheus Chamber Orchestra | F Major | 5 | 7B | 84 BPM |
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