- BPM
- 84
- Key
- F Minor
- Camelot
- 4A
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters - Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez Information
- Acousticness
- 91%
- Danceability
- 10%
- Energy
- 7%
- Instrumentalness
- 16%
- Liveness
- 64%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 9%
- Loudness
- -21.128 dB
Summary
"The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. Since The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters BPM
The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters Key
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 95 BPM | |
 | Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | |
 | Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | |
 | Piano Concerto No. 1, BB 91, Sz. 83: 2. Andante | Béla Bartók, Pascal Rogé, London Symphony Orchestra, Walter Weller | F♯ Major | 1 | 2B | 89 BPM | |
 | Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | |
 | Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai | Johannes Brahms, David Zinman | G Major | 0 | 9B | 86 BPM | |
 | Rhapsody In Blue: Rhapsody In Blue - Excerpt | George Gershwin, James Levine, Chicago Symphony Orchestra | E Major | 1 | 12B | 91 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | |
 | Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | |
 | Romeo and Juliet Suite: Masks | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | B♭ Major | 1 | 6B | 161 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.845905065536499
End: 0.8491311073303223