Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada's 'Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo' came out on October 7, 2022. With Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 19 in Eclipse by Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada, Alberto Ginastera, Antonín Dvořák, Pablo de Sarasate. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo by Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra | C Major | 1 | 8B | 79 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: III. Ricapitulazione della prima parte. Moderato & IV. Coda. Allegro molto | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
Concerto Grosso No. 3: 2. Risoluto | Alfred Schnittke, Victor Lieberman, Jaap Van Zweden, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly | A♭ Major | 3 | 4B | 95 BPM | ||
Violin Sonata in G Minor, L. 140: I. Allegro vivo | Claude Debussy, Michael Barenboim, Daniel Barenboim | D Minor | 0 | 7A | 101 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 6 in E Major | Eugène Ysaÿe, Hilary Hahn | A Major | 2 | 11B | 103 BPM | ||
Memories | Michiru Oshima, Hilary Hahn, Cory Smythe | D Minor | 1 | 7A | 96 BPM | ||
Brahms: Violin Sonata No. 2 in A Major, Op. 100: II. Andante tranquillo - Vivace | Johannes Brahms, Itzhak Perlman | F Major | 1 | 7B | 93 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: IV. Très modéré | Claude Debussy, Juilliard String Quartet | F Major | 2 | 7B | 88 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): IV. The Royal March, "Pasadoble" | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | F Major | 3 | 7B | 121 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM |
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