"Pictures At An Exhibition: Promenade" by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini was released on January 1, 2009. With Pictures At An Exhibition: Promenade being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini's "Mussorgsky: Pictures at an Exhibition" album is number 3 out of 15. Pictures At An Exhibition: Promenade is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures At An Exhibition: Promenade by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
Mussorgsky: Boris Godunov, Act 2: "Slykhal li ty, kogda-nibud'" (Boris, Shuysky) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 4 | 4B | 130 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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