Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's 'Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court' came out on October 1, 1990. The duration of Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court is about 3 minutes long, at 3:14. Based on our data, "Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 7 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Le Rouet d'Omphale, Op. 31 | Camille Saint-Saëns, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 69 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 7 In E Minor: 1. Langsam: Nicht schleppen | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 83 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM |
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