- BPM
- 108
- Key
- F♯ Minor
- Camelot
- 11A
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio - Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 2%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 39%
- Loudness
- -27.919 dB
Summary
"Piano Concerto No. 23 in A Major, K. 488: 2. Adagio" by Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini was released on January 1, 1987. Piano Concerto No. 23 in A Major, K. 488: 2. Adagio is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini's "Mozart: Piano Concerto No.23 K.488; Piano Sonata K.333" album is number 2 out of 6. In terms of popularity, Piano Concerto No. 23 in A Major, K. 488: 2. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio BPM
We consider the tempo marking of Piano Concerto No. 23 in A Major, K. 488: 2. Adagio by Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio Key
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | |
 | Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | D Major | 1 | 10B | 170 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | |
 | Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | |
 | Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6898727416992188
End: 0.6955492496490479