Pierre Boulez, Hilary Summers, Ensemble Intercontemporain's 'Le marteau sans maître: Commentaire I de "Bourreaux de solitude"' came out on December 15, 2004. With this song being about 5 minutes long, at 4:31, "Le marteau sans maître: Commentaire I de "Bourreaux de solitude"" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Le marteau sans maître: Commentaire I de "Bourreaux de solitude" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le marteau sans maître: Commentaire I de "Bourreaux de solitude" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Le poème de l'extase, Op. 54 | Alexander Scriabin, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 90 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Drei Satiren, Op. 28: III. Der neue Klassizismus "Nicht mehr romantisch bleib ich" | Arnold Schoenberg, Pierre Boulez, London Sinfonietta | D♭ Major | 1 | 3B | 95 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Structures pour deux pianos - Livre II: Chapitre II (Pièces 1-2, Encarts 1-4, Textes 1-6) | Pierre Boulez, Pierre-Laurent Aimard, Florent Boffard | D Major | 1 | 10B | 105 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM |
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