"Le poème de l'extase, Op. 54" by Alexander Scriabin, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1999. Le poème de l'extase, Op. 54 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Le poème de l'extase, Op. 54 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le poème de l'extase, Op. 54 by Alexander Scriabin, Chicago Symphony Orchestra, Pierre Boulez having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | G Major | 2 | 9B | 76 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / I. The Prologue: Lento moderato | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 74 BPM | ||
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
Petrouchka / Tableau II: Chez Pétrouchka | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 1 | 9A | 81 BPM |
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