"Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif" by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic was released on July 15, 2014. The duration of Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif is about 3 minutes long, at 3:12. Based on our data, "Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 18 in Debussy: Marche Ecossaise / Images (Arr. for Orchestra) / Ravel: Le Tombeau De Couperin by Zoltán Kocsis, Hungarian National Philharmonic. Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Mélancolie, FP 105 | Francis Poulenc, Pascal Rogé | E♭ Minor | 1 | 2A | 58 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | E Major | 0 | 12B | 82 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Trout Quintet: Andante | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | C Major | 0 | 8B | 104 BPM | ||
Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
Scherzo No. 2 in B-Flat Minor, Op. 31: Presto | Frédéric Chopin, Martha Argerich | D♭ Major | 1 | 3B | 74 BPM |
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