Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay's 'Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso' came out on January 1, 1995. Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso appears to be safe for all ages as it is not explicit. The song is number 8 out of 9 in Bartók: Piano Concertos Nos.1-3 by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Music for The Royal Fireworks, HWV351: Bourrée | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | G Major | 6 | 9B | 83 BPM | ||
Davidsbündlertänze, Op. 6: XII. Mit Humor | Robert Schumann, Géza Anda | E♭ Major | 0 | 5B | 81 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Davidsbündlertänze, Op. 6: VII. Nicht schnell | Robert Schumann, Géza Anda | E♭ Major | 0 | 5B | 81 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM |
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