Glenn Gould, Juilliard String Quartet, Vladimir Golschmann made "So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered" available on 1967. With this song being about 5 minutes long, at 5:06, "So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered" by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Glenn Gould Silver Jubilee Album (Gould Remastered)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Florence, Op. 70, TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Emerson String Quartet, Paul Neubauer, Colin Carr | D Minor | 3 | 7A | 137 BPM | ||
Piano Sonata No. 1 in C Major, K. 279: I. Allegro | Wolfgang Amadeus Mozart, Glenn Gould | C Major | 1 | 8B | 95 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A Major | 0 | 11B | 66 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Messe en mi mineur: Messe en mi mineur: Kyrie. Feierlich | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | E Minor | 0 | 9A | 74 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM |
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