"Cavalli: Ercole amante, Act 3, Scene 1: "E pe mi cangi o Dei" (Ercole, Venere)" by Francesco Cavalli, Michel Corboz, Colette Alliot-Lugaz, Luciano Sgrizzi, Ulrik Cold, English Bach Festival Baroque Orchestra was released on July 1, 1981. With this song being about 5 minutes long, at 4:40, "Cavalli: Ercole amante, Act 3, Scene 1: "E pe mi cangi o Dei" (Ercole, Venere)" by Francesco Cavalli, Michel Corboz, Colette Alliot-Lugaz, Luciano Sgrizzi, Ulrik Cold, English Bach Festival Baroque Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 35 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Cavalli: Ercole amante, Act 3, Scene 1: "E pe mi cangi o Dei" (Ercole, Venere)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: Ercole amante, Act 3, Scene 1: "E pe mi cangi o Dei" (Ercole, Venere) by Francesco Cavalli, Michel Corboz, Colette Alliot-Lugaz, Luciano Sgrizzi, Ulrik Cold, English Bach Festival Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri | B♭ Major | 0 | 6B | 76 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM |
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