"Capriccio Italiano Op. 45, Capriccio Italiano Op. 45" by Orchestra del Festival di Montecarlo, Franz-Josef Sumowich was released on November 29, 2011. Capriccio Italiano Op. 45, Capriccio Italiano Op. 45 appears to be safe for all ages as it is not explicit. There are a total of 28 in the song's album "Tchaikovsky : 100 Years". In this album, this song's track order is #14. Capriccio Italiano Op. 45, Capriccio Italiano Op. 45 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Italiano Op. 45, Capriccio Italiano Op. 45 by Orchestra del Festival di Montecarlo, Franz-Josef Sumowich having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hall of The Mountain King | Armonie Symphony Orchestra | B Minor | 0 | 10A | 101 BPM | ||
Carmen Suite No. 2: II. Habanera | Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann | D Major | 0 | 10B | 98 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM | ||
Don Quixote: Act IV: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 4 | 9B | 132 BPM | ||
The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Roméo et Juliette, Op. 64, Acte I : Danse des chevaliers. | New York Philharmonic | C Major | 3 | 8B | 106 BPM |
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