Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann made "Carmen Suite No. 2: II. Habanera" available on March 1, 1997. With Carmen Suite No. 2: II. Habanera being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Bizet: Carmen Suites 1 & 2 / L'Arlesienne Suites 1 & 2 by Georges Bizet, Samuel Friedmann. In terms of popularity, Carmen Suite No. 2: II. Habanera is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Suite No. 2: II. Habanera by Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moonlight Sonata (3rd Movement) | Viriato Baltasar, Junior dos Santos Silva | A Major | 2 | 11B | 156 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
21 Hungarian Dances, WoO 1 - Transcription Joseph Joachim: No. 5 in G Minor | Johannes Brahms, Akiko Suwanai, Boris Berezovsky | G Minor | 1 | 6A | 80 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 4 | 7A | 119 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM |
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