Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden's 'The Sleeping Beauty, Op. 66: No. 7 Valse' came out on 1990. With this song being about 5 minutes long, at 5:04, "The Sleeping Beauty, Op. 66: No. 7 Valse" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 65 in the song's album "Sleeping Beauty (Complete)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Sleeping Beauty, Op. 66: No. 7 Valse is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66: No. 7 Valse by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F♯ Minor | 0 | 11A | 114 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
The Sleeping Beauty Suite, Op. 66a (arr. S. Rachmaninov for piano 4 hands): V. Waltz: Allegro (Tempo di valse) | Sergei Rachmaninoff, Pyotr Ilyich Tchaikovsky, Marialena Fernandes, Ranko Markovic | D Major | 0 | 10B | 93 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |
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