Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion made "Babes in Toyland: Eccentric Dance (Gavotte)" available on February 26, 1999. The duration of Babes in Toyland: Eccentric Dance (Gavotte) is about 3 minutes long, at 3:10. Based on our data, "Babes in Toyland: Eccentric Dance (Gavotte)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Victor Herbert's "Herbert, V.: Babes in Toyland / The Red Mill" album is number 7 out of 10. Babes in Toyland: Eccentric Dance (Gavotte) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Babes in Toyland: Eccentric Dance (Gavotte) by Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
Star Wars (excerpts) (arr. R. Hayman) | John Williams, Richard Hayman, Razumovsky Symphony Orchestra, Long Yu | C Major | 4 | 8B | 106 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Untitled March: March: Untitled | John Philip Sousa, Royal Artillery Band, Keith Brion | A♭ Major | 3 | 4B | 119 BPM | ||
Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
Riders for the Flag | John Philip Sousa, Royal Artillery Band, Keith Brion | C Major | 2 | 8B | 114 BPM |
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