"Symphony No. 5 in C minor Op. 67: I. Allegro con brio" by Sir Roger Norrington, London Classical Players was released on 1997. Since Symphony No. 5 in C minor Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Beethoven: Symphonies Nos 5 & 6 by Sir Roger Norrington, London Classical Players. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 5 in C minor Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C minor Op. 67: I. Allegro con brio by Sir Roger Norrington, London Classical Players is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Le Ballet des Ombres | Hector Berlioz, Heinrich Schütz Choir and Chorale, Peter Smith, Sir Roger Norrington | C Minor | 7 | 5A | 180 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 92 BPM | ||
Symphony No. 6 in F Op. 68, 'Pastoral': I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) | Sir Roger Norrington, London Classical Players | C Major | 0 | 8B | 131 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM |
Section: 0.6694743633270264
End: 0.6727714538574219