"Symphony No. 6 in F Op. 68, 'Pastoral': I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country)" by Sir Roger Norrington, London Classical Players was released on 1997. Symphony No. 6 in F Op. 68, 'Pastoral': I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) appears to be safe for all ages as it is not explicit. The song is number 5 out of 9 in Beethoven: Symphonies Nos 5 & 6 by Sir Roger Norrington, London Classical Players. Based on our statistics, Symphony No. 6 in F Op. 68, 'Pastoral': I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 6 in F Op. 68, 'Pastoral': I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) by Sir Roger Norrington, London Classical Players is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Purcell: The Fairy Queen, Z. 629: First Music. Hornpipe | Henry Purcell, Lorraine Hunt, Catherine Pierard, Susan Bickley, Howard Crook, Mark Padmore, David Wilson-Johnson, Sir Roger Norrington, Schütz Choir of London, London Classical Players, Richard Wistreich | D Major | 0 | 10B | 91 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 4 | 8B | 82 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |
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