"Melody in F, Op.3, No.1 - Arr. G. Saborow" by Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch was released on January 1, 1973. The duration of Melody in F, Op.3, No.1 - Arr. G. Saborow is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Melody in F, Op.3, No.1 - Arr. G. Saborow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Flight Of The Bumble Bee by Bolshoi Theatre Violin Ensemble, Julij Rejentowitsch, Irina Zaitseva. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Melody in F, Op.3, No.1 - Arr. G. Saborow is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Melody in F, Op.3, No.1 - Arr. G. Saborow by Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Demon: Prologue: Introduction | Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Alexander Anissimov | G Minor | 0 | 6A | 113 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
String Quartet, op. 17,3: II. 2. Allegro | Anton Rubinstein, Reinhold Quartett | F Major | 2 | 7B | 102 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
The Demon: Lesginka (Caucasian Dance) | Slovak Philharmonic, Anton Rubinstein | F Major | 0 | 7B | 89 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Concerto No. 2, Op. 56, Scharw. 126: II. Adagio | Franz Xaver Scharwenka, Neeme Järvi, Estonian National Symphony Orchestra, Alexander Markovich | A Major | 2 | 11B | 103 BPM |
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