"La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson was released on May 23, 2020. With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 75 in the song's album "Romantic Vol.3". In this album, this song's track order is #6. Based on our statistics, La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen" | Hector Berlioz, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey | D♭ Major | 0 | 3B | 135 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise | Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 93 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: IV. Absence, H 85b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | F♯ Major | 1 | 2B | 127 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" | Hector Berlioz, Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | D♭ Major | 0 | 3B | 135 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM |
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