La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"
Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson
Romantic Vol.3
0:56 May 23, 2020
BPM
126
Key
D♭ Major
Camelot
3B

Embed

Share Link

La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" - Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson Information

Acousticness
97%
Danceability
17%
Energy
3%
Instrumentalness
98%
Liveness
12%
Loudness
48%
Speechiness
4%
Valence
6%
Popularity
Loudness
-31.04 dB

Summary

"La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson was released on May 23, 2020. With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 75 in the song's album "Romantic Vol.3". In this album, this song's track order is #6. Based on our statistics, La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" BPM

With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen"Hector Berlioz, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon HalseyD♭ Major03B135 BPM
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 2. Andante con motoFranz Schubert, Wiener Philharmoniker, Claudio AbbadoB Major21B88 BPM
Brook Green Suite: I. Prelude by Gustav Holst, English Sinfonia, Howard GriffithsBrook Green Suite: I. PreludeGustav Holst, English Sinfonia, Howard GriffithsF Major27B123 BPM
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise by Hector Berlioz, Chicago Symphony Orchestra, Sir Georg SoltiLa Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroiseHector Berlioz, Chicago Symphony Orchestra, Sir Georg SoltiA Major211B93 BPM
La Revue de cuisine: 2. Tango by Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher HogwoodLa Revue de cuisine: 2. TangoBohuslav Martinů, Saint Paul Chamber Orchestra, Christopher HogwoodF Major07B90 BPM
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso by Johannes Brahms, London Symphony Orchestra, Valery GergievSymphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e graziosoJohannes Brahms, London Symphony Orchestra, Valery GergievA♭ Major14B133 BPM
Berlioz: Les Nuits d'été, Op. 7, H 81b: IV. Absence, H 85b by Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De LyonBerlioz: Les Nuits d'été, Op. 7, H 81b: IV. Absence, H 85bHector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De LyonF♯ Major12B127 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das NachtliedRichard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanC Major28B100 BPM
La Damnation de Faust, Op. 24 / Part 2: Scène 7. La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!"Hector Berlioz, Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun ChungD♭ Major03B135 BPM
La Cenerentola: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyLa Cenerentola: Overture (Sinfonia)Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA Minor18A116 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7238035202026367

End: 0.7288162708282471