- BPM
- 93
- Key
- A Major
- Camelot
- 11B
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise - Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti Information
- Acousticness
- 85%
- Danceability
- 46%
- Energy
- 24%
- Instrumentalness
- 80%
- Liveness
- 5%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 8%
- Loudness
- -16.093 dB
Summary
"La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise" by Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti was released on May 3, 1982. With this song being about 5 minutes long, at 4:46, "La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise" by Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 35 in Berlioz: La Damnation de Faust by Hector Berlioz, Sir Georg Solti, Kenneth Riegel, Frederica von Stade, José van Dam, Malcolm King, Chicago Symphony Chorus, Chicago Symphony Orchestra. In terms of popularity, La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise BPM
The tempo marking of La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise by Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | |
 | Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 74 BPM | |
 | Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse (Allegro non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | A♭ Major | 3 | 4B | 84 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | Pomp and Circumstance Marches, Op.39: No.1 - March in D Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | D Major | 4 | 10B | 119 BPM | |
| Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | |
 | Strauss II, J: Im Krapfenwald'l, Op. 336 | Johann Strauss II, Bramwell Tovey, Hallé | C Major | 1 | 8B | 106 BPM | |
 | Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6533243656158447
End: 0.6584882736206055