Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis made "Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse (Allegro non troppo)" available on January 1, 1974. Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse (Allegro non troppo) is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 2 out of 5 in Berlioz: Symphonie fantastique by Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse (Allegro non troppo) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse (Allegro non troppo) by Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Jazz Suite No.2: 3. Dance I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8d. Pas d'action: Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Major | 2 | 9B | 76 BPM | ||
La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" | Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza | D Major | 2 | 10B | 73 BPM | ||
Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | B Major | 0 | 1B | 75 BPM |
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