Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly made "Jazz Suite No.2: 3. Dance I" available on January 1, 1992. The duration of Jazz Suite No.2: 3. Dance I is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Jazz Suite No.2: 3. Dance I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Shostakovich: The Jazz Album". In this album, this song's track order is #10. Jazz Suite No.2: 3. Dance I is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Jazz Suite No.2: 3. Dance I by Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Sinfonia in D - "al Conventello" - ed. Philip Gossett | Gioachino Rossini, Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 4 | 7B | 123 BPM | ||
The Love For Three Oranges, Op. 33: March | Sergei Prokofiev, Nemanja Radulović, Les Trilles Du Diable, Laure Favre-Kahn | G Major | 0 | 9B | 117 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |
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