"Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante" by Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest was released on September 25, 2015. Since Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 3 in Brahms: Double Concerto by Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest. In terms of popularity, Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante by Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 11 in C Major | Niccolò Paganini, Itzhak Perlman | C Major | 2 | 8B | 76 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
String Quartet No.6 In F Minor, Op.80, MWV R 37: 3. Adagio | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 0 | 4B | 79 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 23 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 1 | 5B | 108 BPM |
Section: 0.6953084468841553
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