"Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo" by Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax was released on 1994. Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Emanuel Ax, Yo-Yo Ma's "Mendelssohn: Piano Trios Nos. 1 -2 & Songs Without Words" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo by Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Piano Quartet in A Major, Op. 30: I. Très calme | Ernest Chausson, Quatuor Schumann | D♭ Major | 1 | 3B | 92 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Yo-Yo Ma, Kathryn Stott | F♯ Minor | 0 | 11A | 178 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck | Robert Schumann, Emanuel Ax, Yo-Yo Ma | C Minor | 1 | 5A | 109 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E Major | 2 | 12B | 85 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | C Minor | 0 | 5A | 168 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma | A Major | 0 | 11B | 85 BPM | ||
Cello Suite, Op. 76: I. Quasi cadenza. Quarter Note = 80 | Alexander Tcherepnin, Yo-Yo Ma | C Major | 1 | 8B | 80 BPM |
Section: 0.9043707847595215
End: 0.9089276790618896