"La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen"" by Hector Berlioz, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey was released on January 1, 1998. With La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 44 in Berlioz: La Damnation de Faust by Hector Berlioz, Anne Sofie von Otter, Bryn Terfel, Keith Lewis, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24 / Part 2: Fugue sur le thème de la chanson. "Amen" by Hector Berlioz, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus) | Hector Berlioz, John Nelson, Marianne Crebassa, Michael Spyres, Philippe Sly, Stéphane Degout, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 81 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM |
Section: 0.7760210037231445
End: 0.7838723659515381