Hector Berlioz, John Nelson, Marianne Crebassa, Michael Spyres, Philippe Sly, Stéphane Degout, Orchestre Philharmonique De Strasbourg's 'Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus)' came out on October 24, 2017. The duration of Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 72 in Berlioz: Les Troyens by Hector Berlioz, Joyce DiDonato. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Troyens, Op. 29, H. 133, Act 2: "Quelle espérance encore est permise" (Ascagne, Énée, Panthée, Chorèbe, Chorus) by Hector Berlioz, John Nelson, Marianne Crebassa, Michael Spyres, Philippe Sly, Stéphane Degout, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM |
Section: 0.6566386222839355
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