La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" - Hector Berlioz, Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung Information

Acousticness: 98%
Danceability: 15%
Energy: 1%
Instrumentalness: 91%
Liveness: 10%
Loudness: 38%
Speechiness: 4%
Valence: 7%
Popularity: 1%
Loudness: -37.05 dB

Summary

"La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!"" by Hector Berlioz, Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung was released on January 1, 1998. With La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 44 in Berlioz: La Damnation de Faust by Hector Berlioz, Anne Sofie von Otter, Bryn Terfel, Keith Lewis, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" BPM

The tempo marking of La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" by Hector Berlioz, Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

La Damnation de Faust, Op. 24 / Part 2: Scène 7. "Margarita!" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Major	3	7B	111 BPM
Concert Waltzes	Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra	D Major	1	10B	182 BPM
L'Arlésienne Suite No.1: Adagietto	Georges Bizet, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	112 BPM
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	0	10B	127 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin"	Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado	C Major	1	8B	75 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM
Carmen / Act 1: Entr'acte	Georges Bizet, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	115 BPM

ISRC: DEF059531918
Label: L-M Records/RCA Records

Section: 0.5944418907165527

End: 0.5991315841674805