"L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye." by Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano was released on September 7, 2009. With L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 10 out of 30. In terms of popularity, L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. by Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
This Too Shall Pass | Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 88 BPM | ||
Mother Nature | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
3 Pieces for cello and piano: in E-Flat Minor | Nadia Boulanger, Emile Naoumoff, Roland Pidoux | E♭ Minor | 1 | 2A | 60 BPM | ||
Act I: Trial 1, Entrance | Philip Glass Ensemble | D Major | 0 | 10B | 62 BPM | ||
Clusters 1 | Meredith Monk | B Major | 0 | 1B | 97 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Nursery rhyme: Hold on, I'm coming for you | Shiuan Chang, Evan Wong | C Minor | 2 | 5A | 73 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM |
Section: 0.6270263195037842
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