Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward's '4 Kleine Stücke: I. Timoroso' came out on November 2, 2018. The duration of 4 Kleine Stücke: I. Timoroso is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 4 Kleine Stücke: I. Timoroso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schreker: Vom ewigen Leben & Phantastische Ouvertüre". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. 4 Kleine Stücke: I. Timoroso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Kleine Stücke: I. Timoroso by Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Gezeichneten / Act 2: Ich bitt' Euch, sprecht nicht und blickt mich nur an | Franz Schreker, Elizabeth Connell, Heinz Kruse, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek | A Major | 1 | 11B | 85 BPM | ||
Sea Pictures: IV. Nocturne (Song of the Watch) | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM | ||
Der ferne Klang, Act I Scene 8: Liegt ein schönes Kindchen im Moos! (Grete, Alte) | Franz Schreker, Frankfurter Opern- und Museumsorchester, Sebastian Weigle, Jennifer Holloway, Nadine Secunde | A♭ Major | 2 | 4B | 131 BPM | ||
Love and Hate, Op. 38 (Reconstr. M. Fitz-Gerald): No. 18, The Funeral | Dmitri Shostakovich, Staatsphilharmonie Rheinland-Pfalz | A Minor | 0 | 8A | 102 BPM | ||
Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 10 in E Minor, Op. 72, No. 2 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Nocturnes, L.91: III. Sirènes | Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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