Nocturnes, L.91: III. Sirènes
Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus
Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer
9:40 January 1, 1995
BPM
81
Key
F♯ Major
Camelot
2B

Embed

Share Link

Nocturnes, L.91: III. Sirènes - Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus Information

Acousticness
98%
Danceability
8%
Energy
2%
Instrumentalness
95%
Liveness
7%
Loudness
50%
Speechiness
4%
Valence
3%
Popularity
Loudness
-29.965 dB

Summary

"Nocturnes, L.91: III. Sirènes" by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus was released on January 1, 1995. Since Nocturnes, L.91: III. Sirènes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell. Nocturnes, L.91: III. Sirènes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nocturnes, L.91: III. Sirènes BPM

The tempo marking of Nocturnes, L.91: III. Sirènes by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Nocturnes, L.91: III. Sirènes Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): Act II: Dance of the Polovtsian MaidensAlexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharF Major27B95 BPM
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo by Amy Beach, AmbachePiano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivoAmy Beach, AmbacheD♭ Major03B89 BPM
Debussy: Preludes, Book 1, L. 117: II. Voiles by Claude Debussy, Fazıl SayDebussy: Preludes, Book 1, L. 117: II. VoilesClaude Debussy, Fazıl SayE♭ Major05B133 BPM
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 by Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte EngesetHjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte EngesetA Minor08A86 BPM
Concerto for Piano and Orchestra, Op. 42: I. Andante by Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre BoulezConcerto for Piano and Orchestra, Op. 42: I. AndanteArnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre BoulezC Major28B180 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: III. IntermezzoGustav Holst, English Sinfonia, Howard GriffithsE Minor19A132 BPM
Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball)Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelB Major01B127 BPM
Khovanshchina: Overture (Prelude) by Modest Mussorgsky, Mariinsky Orchestra, Valery GergievKhovanshchina: Overture (Prelude)Modest Mussorgsky, Mariinsky Orchestra, Valery GergievD♭ Major03B90 BPM
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice by Hector Berlioz, Leonard Bernstein, New York PhilharmonicSymphonie fantastique, Op. 14, H. 48: IV. Marche au suppliceHector Berlioz, Leonard Bernstein, New York PhilharmonicG Minor36A78 BPM
24 Préludes, Op. 28: 2. In A Minor by Frédéric Chopin, Maurizio Pollini24 Préludes, Op. 28: 2. In A MinorFrédéric Chopin, Maurizio PolliniD Minor27A124 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9103374481201172

End: 0.9138126373291016