"This Too Shall Pass" by Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica had its release date on January 19, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Songs of Fate". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. This Too Shall Pass is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With This Too Shall Pass by Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Tango | Gidon Kremer | D♭ Major | 1 | 3B | 109 BPM | ||
Lignum | Jēkabs Jančevskis, Kremerata Baltica, Gidon Kremer | A Minor | 1 | 8A | 69 BPM | ||
Sechs mehrstimmige Etuden: Etude VI "Die letzte Rose" ("The Last Rose") | Heinrich Wilhelm Ernst, Gidon Kremer | G Major | 1 | 9B | 78 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
Piazzolla: María de Buenos Aires, Part 2, Scene 15: Milonga de la anunciación (Sombra de María) | Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov | A Minor | 3 | 8A | 148 BPM | ||
A campaign of tragedy (String Quartet) | Angles, Elle-Kari, Eva Lindal, Anna Lindal, Brusk Zanganeh, My Hellgren | G Major | 0 | 9B | 98 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
5 Mélodies, Op. 35bis: I. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | B♭ Minor | 0 | 3A | 92 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM |