"Act I: Trial 1, Entrance" by Philip Glass Ensemble was released on September 28, 1993. Act I: Trial 1, Entrance is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Philip Glass Ensemble's "Glass: Einstein on the Beach" album is number 3 out of 20. Act I: Trial 1, Entrance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act I: Trial 1, Entrance by Philip Glass Ensemble to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act IV: Bed, Prelude | Philip Glass Ensemble | A Minor | 0 | 8A | 70 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
In The White Silence: Letter B | John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss | A Minor | 1 | 8A | 59 BPM | ||
Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | A♭ Major | 2 | 4B | 105 BPM | ||
The Evergreen: I. Moss | Caroline Shaw, Attacca Quartet | C Major | 2 | 8B | 66 BPM | ||
The Sinking of the Titanic: 3. Hymn II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 82 BPM | ||
Act III: Trial, Prison, "I Feel The Earth Move" | Philip Glass Ensemble | G Major | 1 | 9B | 75 BPM | ||
Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM |
Section: 0.5801689624786377
End: 0.5855922698974609