"In The White Silence: Letter B" by John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss was released on January 1, 2003. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss's "John Luther Adams: In the White Silence" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. In The White Silence: Letter B is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In The White Silence: Letter B by John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | ||
G Song (arr. Keisuke Nakagoshi for piano 4 hands) | Terry Riley, ZOFO Duet | G Minor | 1 | 6A | 93 BPM | ||
The First Mad Rush | Philip Glass, Arctic Philharmonic Orchestra, Tim Weiss | F Minor | 2 | 4A | 104 BPM | ||
In The White Silence: Letter Q | John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss | A Minor | 1 | 8A | 75 BPM | ||
Family Portrait | Rachel Grimes, Rachel's | F♯ Minor | 1 | 11A | 76 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
6 Encores: No. 3 Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
Road Movies: I. Relaxed Groove | John Adams | D Major | 2 | 10B | 112 BPM | ||
Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
Terpsichore's Box Of Dreams: III. Dance No. 2 Tiptoe Caper | Augusta Read Thomas, Grossman Ensemble, Tim Weiss | E Minor | 2 | 9A | 86 BPM |
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