- BPM
- 87
- Key
- B Minor
- Camelot
- 10A
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" - Lou Harrison, American Composers Orchestra, Dennis Russell Davies Information
- Acousticness
- 84%
- Danceability
- 13%
- Energy
- 3%
- Instrumentalness
- 92%
- Liveness
- 14%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 27%
- Loudness
- -32.939 dB
Summary
"Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego"" by Lou Harrison, American Composers Orchestra, Dennis Russell Davies was released on December 1, 1995. Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Ung: Inner Voices / McPhee: Tabuh-Tabuhan / Harrison: Suite for Symphonic Strings". In this album, this song's track order is #2. Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" BPM
With Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" by Lou Harrison, American Composers Orchestra, Dennis Russell Davies having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Clay's Quintet: III. Air on a ground | Lou Harrison, Tammittam Percussion Ensemble, Guido Facchin | D♭ Minor | 4 | 12A | 106 BPM | |
 | Menuet Sur Le Nom De Haydn | Maurice Ravel, André Laplante | G Major | 0 | 9B | 69 BPM | |
 | Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 79 BPM | |
 | Prokofiev: Peter und der Wolf, Op. 67: Der Großvater kam aus dem Haus | Sergei Prokofiev, Willy Millowitsch, Dennis Russell Davies, Beethoven Orchester Bonn | F Major | 6 | 7B | 79 BPM | |
 | Ainadamar: Water and Horse Prelude | Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano, Jeremy Flower | C Minor | 4 | 5A | 121 BPM | |
 | Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | |
 | Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | |
 | Cadenza on the Night Plain: Captain Jack Has the Last Word | Terry Riley, Kronos Quartet | D♭ Major | 1 | 3B | 115 BPM | |
 | The Desert Music: First Movement - Fast | Steve Reich, Brooklyn Philharmonic and Chorus, Michael Tilson Thomas | G Minor | 4 | 6A | 93 BPM | |
 | MASS: No. 30, Agnus Dei | Leonard Bernstein, Vojtech Dyk, Wiener Singakademie, Company of Music, ORF Vienna Radio Symphony Orchestra, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.347510814666748
End: 1.3512494564056396