- BPM
- 117
- Key
- D Minor
- Camelot
- 7A
Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) - Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli Information
- Acousticness
- 95%
- Danceability
- 33%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 9%
- Loudness
- -19.851 dB
Summary
"Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro)" by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli was released on 1967. The duration of Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #8. In terms of popularity, Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) BPM
With Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna) | Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Wiener Philharmoniker | F Major | 0 | 7B | 106 BPM | |
 | Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | |
 | Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | |
| Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | |
 | Tosca / Act 3: "Presto, su! Mario!" | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 82 BPM | |
 | Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | |
 | Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 85 BPM | |
 | Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6223251819610596
End: 0.626096248626709