"Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna)" by Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Wiener Philharmoniker was released on 1987. The duration of Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna) is about 3 minutes long, at 3:26. Based on our data, "Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker's "Mozart - Le nozze di Figaro" album is number 16 out of 75. In terms of popularity, Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna) by Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
Madama Butterfly / Act 2: "Addio fiorito asil" | Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 89 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "La vendetta" - "Tutto ancor non ho perso" | Wolfgang Amadeus Mozart, Kurt Moll, Jane Berbié, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | D Major | 1 | 10B | 130 BPM | ||
Stabat Mater: Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
The Magic Flute, K. 620: Act I, No.3. Aria: "Dies Bildnis ist bezaubernd schön" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 2 | 5B | 169 BPM | ||
Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM |
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