"L'elisir d'amore / Act I: "Una parola, Adina"" by Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1990. With L'elisir d'amore / Act I: "Una parola, Adina" being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. In terms of popularity, L'elisir d'amore / Act I: "Una parola, Adina" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act I: "Una parola, Adina" by Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Luciano Pavarotti, Arleen Auger, Reid Bunger, Herbert Lackner, Vienna Opera Orchestra & Chorus, Nicola Rescigno | D Major | 3 | 10B | 78 BPM | ||
Tosca / Act 1: "E buona la mia Tosca" - "Siam soli?" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 99 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Caruso | Luciano Pavarotti | A Major | 9 | 11B | 110 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Turandot / Act 3: Principessa divina! | Giacomo Puccini, Tom Krause, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 175 BPM | ||
Turandot / Act 2: Figlio del cielo! | Giacomo Puccini, Dame Joan Sutherland, Sir Peter Pears, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 3 | 8B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM |
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